ANDRE MARTINS DE BARROS
constitutes the fantastic one in the work of a painter
it is not the strange appearance of the subject, but
its way of surprising. The need for fantastic is essential
on the level emotion. Thus can one advance that strange
A the concern of informing by conviction préconscient
it. He leaves us prohibited excluded and disconcerted.
Which source of inspiration would it remain with the
painters without the thought of the spirit? This spirit
in place to make re-appear in a major work a whole
art based on the dream, the myth, the legend, poetry
and the allegory but also to reinforce imagination.
The fantastic one can be also pressed on subjects
taboos or monk. The fantastic one is an art with whole
share, it makes body with indefinable, of realism
to magic, the dream to the nightmare, surrealism to
beyond. The goal of fantastic is not to darken the
glance by frustrations of all kinds, nor to flee us
by evoking separate worlds; but on the contrary, us
to make travel in the past like in the future while
exploiting the limits of our conscience. It is thus
carrying life while defying death like all the obstacles
and all the constraining roles of the Ego. In this
direction, the fantastic one is the carapace of the
pure heart, a revolutionist who creates what one would
like to include/understand and that one does not dare
to think by veiling the eyes.
Martins de Barros
ART ANDRE MARTINS
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