Women's
Erotics (Art,
fantastic realism)
Dear
visitors
The relationship
between collectors and artists galleries Between the artist
who brings his creative work and the collector who will be happy
to own, to place the gallery which will promote the artist while
providing the public with the mature works of the artist it
are needed. The gallery is the place to both sets and is able
to know the needs of the public and collectors. This shows the
importance of the link between the gallery and the collector
that is trying to promote for many years. But that route, even
if it works well, does not always identify the hidden talents
of artists shy in the context of post-trade where we live. In
particular the collective needs caused and conditioned by the
press, or by irrational use of certain media, are felt first
by the artist before interest commercial galleries that can
help. It is surprising how few artists bother to think or learn
about art galleries trends resulting from some current pictorial
world, such as that cited a little further. An example is given
on the promotion of art first emerged as a concern in the development
of art movements, it is now new markets and juicy for art galleries,
allowing a degree of speculation in the doubtful fate and the
continuity of the artist in his journey. A policy of use in
the creation would be necessary to encourage contacts between
artists, galleries and places of interest in art, so that the
artistic tastes of some better known and distributed and that
the needs of known or unknown artists to reach new markets with
a common interest, in view of the artistic movements of the
past century. The role of the artist is, or to cause to the
extent that it surprises disappear spontaneously or if it really
has nothing to say. For that it is not enough to please the
galleries or to inform the media, but his art of living in harmony
with its surroundings. Artists should bring the galleries to
assess the risks of exploitation of his work, and create contracts
enabling these gallery owners to take risks, given the repeated
economic crises we are experiencing. The development of a work
of art takes place in a context of information exchange between
the artist, the gallery and the collector. These exchanges allow
a monitor progress of the work, competing with the galleries
of art today and collections yesterday, the artist brings his
artistic universe, with its joys and suffering, and the collector's
love of art. Currently, each day and emerging new artists that
nobody noticed more because they are part of a stereotypical
artistic trend in our society. From these tables it says: "That's
it! C'est nul! I can do the same! "He does not know
the painting, it is necessary to paint them, made some key ideas
and unique compared to what already exists, but very few artists
are to the idea that waste materials. You may be works of personal
and unique feel. You would like to participate in major art
events, and finding time to time some ideas for close sales
in major exhibitions, in galleries or in your workshop? So you
run. Know sell his work is an art. Look around you and do not
say especially if you do not sell anything "The public
is zero, it does not taste" just give the public taste
and your work will be rewarded. You will be surprised to see
that you are able and then you can sell without any problem
the result of your work. Again, the artistic trends and is known
to remark that force too see them, are no longer a guarantee
of "know how" to everyone, but for those who watch
with an artistic turn of mind and inventive. Some artists, reading
the above, surely say: This is great, but is for the elite of
a world that is not mine: I feel compelled to tell them not.
At the root of great art, and especially in our time are important
issues remarks on art: an artist who is working on an idea can
surprise, surprise, shock or make the audience crazy and idle
in front of his work, but it will be much more qualified than
another, often much better than him, to be recognized, it is
the precursor of an innovative idea in this art and it has great
relations to satisfy the ego of its admirers. In this case,
the sales gallery will have much more chance of success in demonstrating
that art is particularly striking in case of new movements by
mode, compared to a market slows and whose need is breathe in
currents often difficult to accept by the artist, but a necessary
way of life often artificial; I will try to demonstrate that
art does not create artists, but its opposite. Apparently, there
are about a hundred years that the major expressionist, impressionist,
surrealist, abstract compositions and revolutionary for its
time, was the pinnacle of new artistic movements and confined
to a few artists with ideas; and then suddenly and sadly for
creativity, we had movements that have come in competition is
"called intellectuals, literary and artistic works"
to get rid of all the ideological, political and artistic.
"The Dada, pop art, minimal art, conceptual art and many other
new schools of art;" These movements have put forward
the spirit kid, with the conventions and conveniences of a game
fun. The reason was logical and extravagant, followed by a comedy
and an absurd mockery, with a total disregard for the "artistic
values" of the past. Its artists wanted to be disrespectful,
extravagant; They showed a casual freedom, where they used all
available materials and shapes to create anything eclectic.
They sought freedom ultimately rather superficial trends, including
the creators, fans for the most part, have tried to make us
live and eat, for outrageous ideas, to the detriment of artistic
heritage which is expensive. It takes everything to make a world,
can we say, but do not exaggerate, a fortune selling "is
called a work of art, made from excrement in a transparent inclusion"
is rather demeaning privacy of everyone in disgust. Their international
success has not been waiting too long but were also quickly
ephemeral, to the point that the public felt humiliated and
offended at such silly things. I have every reason to believe
that if the artist does not create anything today or if the
act or caused by someone else, has every chance to succeed,
especially if no knows nothing and have been talking around
the media with the support of people recognized. How can anything
by anyone, on any medium on which the place without thinking
anything, where we Gribouille anything that does not resemble
anything, where the idea is preposterous, and where it always
s'ébranler its foundations. The artist is there left to live
by the facility operates or does it really well with his art
snobinard side of the new rich? Or, his art, he too much power
over him, without any requirement on his part; I believe that
we live in a time of great upheaval where man needs to negotiate
with their past and accept its fate if it wants to rebuild.
It is also important that in this type of art safeguards, to
protect themselves in advance against attempts facilities, again
to fear, which would lead to obstruct the path already traveled
and rugged the artist. Pity the grass collector which is completely
disarmed before this madness of art, given the profile of young
painters who are facing a market where art surfait is dying
and it does no good to exercise his passion. The art, without
knowing it turns every day. While the galleries fall increasingly
in the dark, collectors are waiting for better days; artist
without his haunts and his peers is lost, and today the words
lose their meaning and are even poorer for understand what is
happening in art today.
André Martins
de Barros
André
Martins De Barros - http://www.artmajeur.com/amartinsdebarros
Site creates april 2003
Copyright by
André Martins de Barros_All rights reserved.©
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Art
Galerie Atelier # slideshow
A museum of art realistic and the fantastic
imagination in the Netherlands
The first museum of fantastic realism After
several years of waiting, the first museum of its fantastic
realism will soon be entirely beside the famous Castle of
Zeist (Utrecht), Holland. The construction of this museum
of art fantastic realism is provided in the center of Holland,
in a beautiful cultural environment. The Netherlands are preparing
major events to promote the art of realism in this fantastic
new museum of modern art, and improve the experience of classical
art and imagination of artists. Although recent progress regarding
the realization of the museum have been made through negotiations,
some obstacles still remain for the construction of this fantasy
turned. The opening of this fantastic museum is unlikely until
2010. M. van Soest began his artistic adventure, focusing
in particular on the great works of the great Dutch master,
Johfra. Hundreds of works by this artist of the imagination
with its collection. For over twenty years Mr. van Soest Rardy
is the patron of the renowned painters, but artists more or
less known who have devoted their talents and donations to
a magical, dreamlike journey, often with a hallucinatory vision,
but also poetic. Rardy M. van Soest, the great patron of the
great painters, whose art collection is very impressive make
this magical place a museum devoted exclusively to fantastic
realism, exhibitions of contemporary artists as well as master
of past. Furthermore, in the years to come, an academy will
be attached to the museum, and links will be established with
the academies of the world In recent years, Mr. van Soest
has expanded his artistic point of view by establishing strong
relationships with artists, galleries and museums to keep
in touch with them. M. van Soest wants to make a remarkable
entry in the international art world. It is always very important
for him to raise the fantastic art and the arts in general,
to accomplish its museum project, and for the promotion of
artists that are dear to him. In a remarkable friendship with
the artists of the fantastic realism, which are part of his
entourage is important to establish the relationship between
art, artists, galleries and museums. Currently, the collection
of Mr. Soest Rardy around 800 works will be exhibited in its
evolved fantastic. Works of artists such as Ernst Fuchs, HR
Giger, André Martins de Barros, Beksinsky, Johfra, Peter Grice,
Robert Venosa, De Es Schwertberg, Andrew Gonzales, Victor
Safonkin, Oleg Korolev, Igor grechanyk, Rubinov Jacobson and
many others, are included in his collection of fantasy art.
The Netherlands, Mr. van Soest present other visionary artists
as Rene Zwaga, Michaël Hiep, Herman Smorenburg and Petar Meseldzjia.
Art
and Design Marketing Area:
Many shows and exhibitions in France, Europe, U.S., etc...
Major Products and Services: High quality paintings -oil on
canvas- varied collection of artworks in the style of "Realism
Fantastic", (fantastic imagery) As a young artist Andre was
influenced by great Flemish masters suh as Rembrandt and/or
Breughel as well as other great Renaissance artists. This
explains why he is so perfectionist in every single detail.
Expertise: A great knowledge of Arts, classical as well as
contemparory. Hobbies/ Sports: Reading science fiction books,
nature discovery, also very fond of experimenting various
painting techniques, classic music, poetry, etc.. Education:
He was trained to be interior designer
before
achieving his passion as a painter artist and more specifically
as a surrealistic artist. Affiliations and Awards: Arts Sciences
& Lettres (French award)
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amartinsdebarros
on deviantART Art - community of artists and those devoted to art.
Digital art, skin art, themes, wallpaper art, traditional art, photography,
poetry / prose. Art prints. amartinsdebarros.deviantart.com/
Fantastic
art exhibition
Contemporary
exhibition, french artist, fantastic art, home gallery.
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